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A key influence on the French New Wave and the director of such iconic works asPickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema.Notes on the Cinematograph is not only his definitive treatise on film—its inherent peculiarity and potential—but an ascetic meditation on how art transcends, and is transformed by, the senses.   Bresson upends inherited truths with empirical ones, calling for film to divest itself of the trappings of theater in order to come into its own as an art form. While theater is capable of simulation, film can capture immanent being. Therefore, he argues, the two forms are innately at odds: “No marriage of theater and cinematography without both being exterminated.”   To this end, Bresson rechristens his actors “models” and conducts them through grueling shoots where they repeat their lines and movements until he deems them vacant of actorly intention and charged, instead, with inscrutability: “A model. Enclosed in his mysterious appearance. He has brought home to him all of him that was outside. He is there, behind that forehead, those cheeks.”

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Author: Robert Bresson,Jonathan Griffin
Number of Pages: 128 pages
Published Date: 19 Jan 2017
Publisher: The New York Review of Books, Inc
Publication Country: New York, United States
Language: English
ISBN: 9781681370248
Download Link: Click Here
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